The quartet shifted seamlessly between genres in a wide-ranging program.
Mozart’s Quintet for Piano and Winds was part of the New York-based quintet’s bright and brash program at the Trianon Theatre in San Jose.
The company’s latest production of Mozart’s classic opera misses the mark dramatically and emotionally.
Festival Opera explored Indian cultural narratives with two noteworthy chamber operas at the Oakland Cultural Center.
The Greek violinist joined the S.F. Symphony for an all-Sibelius segment of the program, which also included Schumann’s Symphony No. 3.
It was the lesser-known of three piano quintets that shone in an inspired performance.
Composer Amy Beth Kirsten has provided Volti with the right kind of challenge: one that takes the audience on an electrifying journey.
The ensemble joined students from Aragon High School in the West Coast premiere of Thomas Trachsel’s The Apocalyptic.
The 31-member ensemble started its residency at UC Berkeley with a performance at Hertz Hall.
The Industry once again creates an entirely novel, unrepeatable, music-theater experience.
