Emily Wilson

As mentors and impresarios, the couple have kept chamber music in the U.S. stocked with talent, ideas, and festivals.

Mozart’s early masterpiece has layers of meaning that resonate at the War Memorial, according to director Lindy Hume.

Opera Parallèle is bringing this work by composer Stewart Wallace and librettist Michael Korie full circle with a new streamlined production.

It’s a happy marriage for the conductor in his first music directorship and the orchestra looking to preserve and extend its legacy.

The company is staging composer Héctor Armienta’s intrepid 2022 opera following the success of last year’s Florencia en el Amazonas.

The MacArthur “genius” grant winner draws on her deep knowledge of jazz, gospel, and more for the orchestra’s experimental concert series.

For the first time in its history, the Bay Area group is presenting a weekend festival in both Berkeley and San Francisco, spotlighting music old and new.

The star of European stages has finally crossed the Atlantic and is making her West Coast debut this month.

Cann, who debuts with the SF Symphony this week, talks about discovering Price and jazzing Rhapsody in Blue.

Ahead of her Cal Performances debut, the Avery Fisher Career Grant winner talks about her big breaks and career so far.