Jim Farber

If you’re interested in composing for movies, TV, video games, or anywhere else, it’s no longer enough to fill up a page with notes.

Some clear winners emerged from the 21-concert music fest, along with some also-ran entrants.

Martian invasion threatens L.A. Philharmonic concert!

L.A. Opera and Beth Morrison Projects explore the intricacies of Ingmar Bergman’s film in an opera by Keeril Makan and Jay Scheib.

A mostly somber Día de los Muertos program casts the limelight on choral works by Latin American composers.

The CDMX Festival ended on a serious, new music note, with composers who are part of an international community of explorers.

In the second installment of the Ciudad de la Mexico Festival, Gustavo Dudamel and the L.A. Phil celebrate a “Noche de Cine.”

Gustavo Dudamel’s CDMX: Music from Mexico City enchants with big ideas and small details.

Women film composers are banding together to have their voices and their music heard.

The lauded film derives much of its power from an intricate tapestry of music, sound, and effects.