Jim Farber

After more than two years of forced isolation, performance touring is back on the calendar.

Great singing can’t rescue this drab revival.

Pianists Katia and Marielle Labèque premiere a psychedelic new work at Disney Hall, in collaboration with soprano Barbara Hannigan.

Peter Knell and Stephanie Fleischmann’s brooding new opera portrays the Soviet side of the Cuban Missile Crisis.

In his recital at The Wallis, the pianist/composer was oddly uncommunicative.

The first recital in Piano Spheres’ new season is all about the interplay of acoustic and electronic sounds.

This year, musicians, staff, and orchestra managers are overstretched and facing high-risk contract negotiations.

Myth meets metaverse, and Yuval Sharon meets Gustavo Dudamel, in the LA Phil’s performance of Act 3 of Wagner’s opera.

The dancers and musicians of the American Modern Opera Company know how to have fun while still crafting serious performances.

Your local symphony knows all about you. Is that a good thing? Opinions differ greatly.