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Latest From the SFCV Feed

Lisa Hirsch - March 19, 2010
The British composer Thomas Adès has been writing intricately structured and colorfully orchestrated music for nearly two decades now.
Michelle Dulak Thomson - March 16, 2010
Unaccompanied violin recitals are sufficiently rare that the image and bio of Jennifer Koh’s longtime recital partner, pianist Reiko Uchida, made it into the printed program of last Tuesday’s Herbst Theatre recital before San Francisco Performances staff realized their mistake. It would be misleading to say that Uchida (a very fine pianist) was not missed.
Ken Bullock - March 16, 2010
“We tend to think of Brahms as a grumpy old man,” said Dr. Donald Kendrick, conductor and artistic director of the Sacramento Choral Society and Orchestra, which will perform the composer’s German Requiem as a Mondavi Matinee on March 28 at the Mondavi Center, at UC Davis.
Michael Zwiebach - March 16, 2010
Lots of orchestras give concerts for children, but the Fremont Symphony does it with a twist: They get kids involved. “Last year, we had eight kids come up to the front and conduct the orchestra,” says Music Director David Sloss.
Jeff Dunn - March 16, 2010

If you plan to drive up I-80 to the next concert of the Vallejo Symphony to hear virtuoso Meredith Brown, you must be prepared to play her second-most-important instrument. No, not the French horn, but the one in which “Freeway Philharmonic’” members are extremely practiced: the steering wheel. 

Joseph Sargent - March 16, 2010
Among the ever-expanding roster of early-music groups, Passamezzo Moderno seems decisively committed to diversity.
Janos Gereben - March 16, 2010

'Tomorrow's Sounds & Stars' at Crowden

Alexis Alrich with some Mozart rivals
David Bratman - March 16, 2010
Saturday’s Music at the Mission chamber music concert, at Old Mission San Jose in Fremont, bore the title “Music in the Time of Turmoil: From Conflict to Redemption.” It featured a quartet for the end of time, and another quartet from after the end of time.
Be'eri Moalem - March 15, 2010
One of my favorite composition teachers once said, “Any buffoon can get a premiere. A real achievement is a repeat performance.”

Last May, I reviewed the Ives Quartet’s premiere of Dan Becker’s work Time Rising.

Marianne Lipanovich - March 15, 2010

Ian Bostridge, who made his U.S. debut at Cal Performances in 1998, returns on March 21 for an afternoon recital. He’s known in musical worlds as one of the finer lieder tenors performing today. What may be less well-known is that he started out to have an academic career, earned a Ph.D. in history from Oxford University, and has become a published author and columnist.