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Heuwell Tircuit - March 23, 2010
For its 74th season, Director Corey Jamason and the San Francisco Bach Choir and Baroque Orchestra programmed five highly unusual Bach compositions for their Sunday program in Calvary Presbyterian Church.
Jeff Kaliss - March 23, 2010

Now a senior at San Francisco’s School of the Arts (SOTA), with an eye on college, singer Patricia St. Peter feels as if she grew up with Chanticleer. That 12-voice, Grammy-winning men’s chorus is better-known for reaching back to the repertoire of the Renaissance than for stretching out to the next generation of choristers.

Janos Gereben - March 23, 2010

Funding Mill Valley Freebies

Laurie Cohen's Mill Valley Philharmonic has been performing free concerts y

Anna Carol Dudley - March 23, 2010
Ian Bostridge is a master singer of German lieder, and he brought Schubert’s Winterreise to UC Berkeley’s Zellerbach Hall Sunday afternoon, splendidly partnered by pianist Julius Drake. Experiencing Schubert’s intimate, searing song cycle would be more satisfying in the intimacy of Hertz Hall, where we last heard Bostridge.
Heuwell Tircuit - March 22, 2010

Two major young stars of the music world, pianist Simon Trpčeski and conductor Vasily Petrenko, have begun a new CD cycle of all of Sergei Rachmaninov’s piano-orchestral works, for Avie Records.

Jerry Kuderna - March 22, 2010
From the hauntingly tentative first notes, or rather the first words of a poem prefacing the Brahms Requiem sung Saturday by the powerful but always beautifully balanced and expressive Cantare Chorale led by Artistic Director David Morales, I knew I was about to have a unique experience. I was to have a window not only into Johannes Brahms
Jeff Dunn - March 22, 2010

Did the Santa Rosa Symphony on Saturday night live up to part of a public-school student poem, by “Cristobal,” posted in its concert-hall lobby?

Sounds frightful, amazing, destructive.
Beethoven, great composer —
Music as powerful as the sun.

Georgia Rowe - March 22, 2010
In a year that marks the bicentenaries of Frédéric Chopin and Robert Schumann, it can’t be easy to decide which composer to celebrate.
Rachel Howard - March 22, 2010

“This is for her,” another critic said to me Saturday during the rapturous standing ovation that greeted the U.S. premiere of John Neumeier’s The Little Mermaid at the San Francisco Ballet.

Jason Victor Serinus - March 21, 2010
Forty-nine minutes into our chat about the San Francisco Symphony Chorus’ Spring Concert, Music Director Ragnar Bohlin addresses what makes him tick.

“All we conductors have a vision of how the music should sound ideally,” he says on the patio of the near idyllic, precariously perched Berkeley hills rental he shares with his cellist wife and children.