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Latest From the SFCV Feed

Michael Zwiebach - February 9, 2010
Redwood Symphony’s artistic director, Eric Kujawsky, knows how to get professional soloists to play with his all-volunteer orchestra: persistence.
Janos Gereben - February 9, 2010

Philharmonia: Not So Baroque

As the Philharmonia Baroque announces its 30th anniversary season today, Music Director Nicholas McGegan ponders the then and now of the orchestra in terms unexpected from the renowned leader of a
Marianne Lipanovich - February 8, 2010
Cellist Joshua Roman has been making a name for himself since he won the position of principal cellist of the Seattle Symphony in 2006 at age 22.
Jeff Dunn - February 8, 2010

If search-engine hits are the Web election determining America’s most popular poet, then Emily Dickinson is currently in second or third place (along with Henry Longfellow), behind Walt Whitman. But unlike Whitman, her intensely personal poetry seeks a sympathetic reader, not a vast public sphere. And perhaps that is what drew the composer Gordon Getty to her. His song cycle on Dickinson's poetry, The White Election, will be performed, appropriately, on a Tuesday, Feb. 23.

Jeff Dunn - February 8, 2010
Violinist Midori proved Saturday in Herbst Theatre, under the auspices of San Francisco Performances, that a healthy musical diet can consist almost solely of works written in the 1990s.
Janos Gereben - February 8, 2010
On Feb. 20, the day before Riccardo Chailly conducts the first of two concerts with Leipzig’s venerable Gewandhaus Orchestra at Davies Symphony Hall, he will turn 57.

His return to San Francisco will come 33 years after his participation in a historic event that took place in the War Memorial Opera House:

David Bratman - February 7, 2010
The San Francisco Symphony under Michael Tilson Thomas paid a mammoth tribute to two American composers, Charles Ives and Henry Brant, last week.
Michael Zwiebach - February 3, 2010
The composers' collective CMASH presents the third annual New American Chamber Music concert, again focusing on voice and small ensemble. The young, San Francisco Conservatory-trained Picasso String Quartet joins forces with the One Art Ensemble and soprano Ann Moss to present new music by composers Vartan Aghababian, Wesley Brown, Matthew O'Malley, Miriam Miller, and Liam Wade.
Michael Zwiebach - February 2, 2010

Opera San José opens its production of Mozart's The Marriage of Figaro this weekend. Relying on young singers has proved to be a winning formula for this company, especially when they're able to pick up hot talents like Khori Dastoor, who sings Susanna in the first cast, and Daniel Cilli (Almaviva in the second cast).

Michael Zwiebach - February 2, 2010

There are far too many events at the San Francisco Conservatory to mention on SFCV, even if we restricted ourselves to the free ones. But when they do an entire opera for free, there's reason to open a space on your calendar to see it. The performances may not be in the elite professional category, but they're close enough that you won't mind, especially when all you have to pay for is a coffee at intermission.