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Michael Zwiebach - February 2, 2010

The New Esterházy Quartet has just finished a busy two-and-a-half year traversal of the complete quartets of Joseph Haydn. But that doesn't mean that this HIP (as in “historically informed performance”) group is resting on its laurels.

Georgia Rowe - February 2, 2010
Berkeley Opera has always been known for its adventurous spirit. While it has never enjoyed the large subscriber base — or extravagant budgets — of its high-profile counterparts, the company has given audiences a wide range of productions in the last three decades, offering forgotten masterpieces, English adaptations, and world premieres alongside standards of the repertoire.
Lisa Petrie - February 2, 2010
Few artists have had the kind of impact on the world at large as violinist Midori’s. Almost 30 years after her famous debut with the New York Philharmonic at the age of 11, Midori champions music as the message of peace in her fight for social justice and environmental sustainability.
Janos Gereben - February 2, 2010

West Bay Opera Goes A-Hunting

Carl Maria von Weber's 1821 opera Der Freischütz has many distinctions:

Michelle Dulak Thomson - February 2, 2010
There is a rough protocol for establishing a name as a newish chamber ensemble. It involves, among other things, programming carefully so as to interest the people whose opinions might make your name, while not frightening the horses.
Steve Osborn - February 1, 2010
After all the passion of Mozart’s Requiem and the fire of Brahms’ violin concerto, the signature moment of Sunday’s Marin Symphony concert arrived during the encore, Gluck’s Dance of the Blessed Spirits. Violin soloist Vadim Gluzman played the brief interlude to perfection, barely raising his volume above a whisper, the better to demonstrate his absolute command of dynamics and phrasing.
Michael Zwiebach - February 1, 2010
The Bay Area is blessed with a cornucopia of chamber music series, most of which seem to be invisible to all but the most serious classical fans.
John Lutterman - February 1, 2010
Last Tuesday’s performance by Yo-Yo Ma and Emanuel Ax at Davies Symphony Hall was designed to celebrate the 200th anniversary of the birth of two of the most iconic Romantic era musicians, Frédéric Chopin and Robert Schumann. Piano works are the foundation of both composers’ oeuvre, but
Steven Winn - February 1, 2010

Brimming with earnest and tender melodies by a 20th-century version of the Three B’s — Bernstein, Bloch, and Barber — this BIS recording showcases the abundant gifts of violinist Vadim Gluzman.

Jeff Kaliss - February 1, 2010
For its “Call & Response” program this year, San Francisco’s Cypress String Quartet is returning to a composer friend whom they’d commissioned earlier in the program’s 11-year history. That’s Elena Ruehr, who came out from Boston last month to work with the ensemble on her String Quartet No. 5, premiering at the end of February at Herbst Theatre.