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Latest From the SFCV Feed

Lisa Hirsch - November 7, 2023

Rhiannon Giddens and Michael Abels’s work is bold and beautiful and couldn’t be timelier.

Jim Farber - November 7, 2023

The collaborative work involves L.A.’s recent poet laureate, composer Sarah Hennies, and a women’s whistling group.

Nicholas Jones - November 7, 2023

The countertenor with the clarion voice bestrides two J.S. Bach cantatas, but three youthful violin soloists steal the show.

David Bratman - November 7, 2023

The players give strong performances of Adolphe’s piece and the Romantic music filling out the concert.

Steven Winn - November 7, 2023

With a premiere by Nicolás Lell Benavides and an appearance by mezzo-soprano Kelley O’Connor, the show touches a lot of bases.

Jeffrey Day - November 7, 2023

Many prominent U.S. musicians have been drafted into the effort to improve their country’s image abroad, including the “dean of American composers.”

Rebecca Wishnia - November 6, 2023

Conductor Ludovic Morlot leads a program that also includes new art to accompany Mussorgsky/Ravel’s Pictures at an Exhibition.

Janos Gereben - November 6, 2023

The Bay Area’s best young musicians will be playing everything from Gustav Mahler to Anna Thorvaldsdottir across five concerts this year.

Lou Fancher - November 6, 2023

Into the Dark features a diverse ensemble of blind and sighted performers and will have audiences using their senses in a different way.

Jim Farber - November 6, 2023

As amazing as the opera’s score and libretto are, the production has drawn raves for Kazan’s designs in particular.