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Latest From the SFCV Feed

Josef Woodard - March 21, 2022

Guest soloist Randall Goosby is masterful in the Mendelssohn Violin Concerto.

Andrew Gilbert - March 21, 2022

Clarinet virtuoso Anat Cohen has a run of gigs in California this month, culminating in a residency at SFJAZZ with her expansive Tentet.

Lisa Hirsch - March 21, 2022

The mezzo dazzles in a wide-ranging Schwabacher recital.

Jasmine Liu - March 21, 2022

Casting blind soprano Cristina Jones in the lead was the first step in reimagining Tchaikovsky’s fairytale opera.

Victoria Looseleaf - March 21, 2022

The Polish countertenor and champion break dancer tells SFCV about the latest projects in his blazing career.

Jim Farber - March 20, 2022

Today's music archivists face serious challenges, and cloud storage may not be the answer.

Michael Zwiebach - March 18, 2022

Alexander Gedeon was concerned about the company’s internal commitment to goals of inclusion and equity.

Janice Berman - March 17, 2022

SF Ballet’s pairing of the venerable La Sylphide with an Alexei Ratmansky premiere is a roaring success. 

Paul Kotapish - March 15, 2022

Always looking forward, the City’s cultural epicenter celebrates its first 100 years with new programs, new commissions, and an expanded campus.

Richard S. Ginell - March 15, 2022

Ludovic Morlot leads scorching performances of the Shostakovich Tenth and Prokofiev's bad-boy Piano Concerto No. 1.