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Guest conductor Krzysztof Urbański makes the most of Grażyna Bacewicz’s 1943 Overture.

The LA Phil stages a “staggeringly ambitious production” of the groundbreaking opera.

The virtuoso evoked vintage keyboards of all sorts without changing instruments.

Two companies will not perform at the SFIAF because of unusual visa rejections.

In advance of her stint with the S.F. Opera in June, the singer muses on her wildly varied career, her special relationship with MTT, and the joy of singing.

Budget cuts prune the company’s vision for a high-tech future.

The tireless conductor explains his enduring love for Verdi, how he plans an L.A. Opera season with Domingo, and why Mozart is a healing force.

The grants benefit major institutions and smaller, independent groups alike.

Ming Luke guides the community chorus and orchestra in performances slated for Estonia, Latvia, and Sweden.

The world premiere suffers from an overabundance of themes, creative voices, and rain.