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Latest From the SFCV Feed

David Bratman - April 10, 2018

In preparation for its performances of the St. John Passion, SFBC convened a panel to talk about the issue of anti-Semitism in historical context.

Steven Winn - April 10, 2018

A program of ravishing beauty draws from the timeless Vespro della Beata Vergine.

Michael Zwiebach - April 10, 2018

Career grants also go to former Merolini and Adler Fellows.

Michael Zwiebach - April 10, 2018

Lots of heavyweight headliners as well as a few experimental and timely offerings crowd the UC Davis presenter's schedule.

Jessica Balik - April 10, 2018

Works by Sibelius, Britten, and John Luther Adams celebrate the mysterious power of the sea.

Jason Victor Serinus - April 10, 2018

Anderson's Landfall is an unmissable work, created with Kronos, while countertenor Fagioli blows away the competition in Handel arias.

Joe Cadagin - April 10, 2018

Bard Music West's second festival focused on a composer whose music still seems current.

Rebecca Wishnia - April 10, 2018

Become Desert is a worthy, tranquil sequel to John Luther Adams's blockbuster Become Ocean.

Steve Osborn - April 10, 2018

Prokofiev's cantata Alexander Nevsky wowed, beyond John Adams's The Dharma at Big Sur.

Jim Farber - April 10, 2018

Teatrocinema's innovative visual design mostly worked to enhance the inherent cinematic qualities of Das Lied von der Erde.