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Latest From the SFCV Feed

David Bratman - July 2, 2024

Emphasizing a through line over episodic diversions, this performance clarifies the piece’s overall design.

Jim Farber - July 2, 2024

Though small-scale, the NHSQ’s summer festivals fill a large hole in Los Angeles’ cultural life.

Lisa Hirsch - July 2, 2024

Progress has been slow in diversifying the symphonic repertory, according to a new report.

Janos Gereben - July 2, 2024

The organization founded by Yo-Yo Ma almost three decades ago expands its educational footprint this summer.

Jason Victor Serinus - July 2, 2024

The opera here sports a powerful cast and Mark Elder conducting a fully committed London Symphony Orchestra.

Lily O'Brien - July 2, 2024

A prolonged renovation of the orchestra’s main venue has forced the organization to get creative.

Richard S. Ginell - July 1, 2024

This version of the opera, captured in concerts with the LA Phil last year, improves on any live performance.

Tom Jacobs - July 1, 2024

The arts presenter at UCLA continues its eclectic, avant-grade approach to programming in 2024 and 2025.

Victoria Looseleaf - July 1, 2024

The Walnut Creek company is staging Francis Poulenc’s La voix humaine in dialogue with Henry Purcell’s Dido and Aeneas.

Jeff Kaliss - June 25, 2024

Amid a flurry of world premieres, the Quartet bids farewell to violist Hank Dutt and violinist John Sherba with these performances.