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Latest From the SFCV Feed

Rebecca Wishnia - November 2, 2016

A dazzling composition inspired by video-game conventions is the highlight of a perfect Halloween program.

Mark MacNamara - November 2, 2016

Hope for the vanishing music critic: the Getty Foundation, Rubin Institute, and S.F. Conservatory underwrite a music critic at The Boston Globe.

Jim Farber - November 1, 2016

Artist in residence Matthew Aucoin created and conducted a new pastiche score for F.W. Murnau’s classic film that was surprisingly moving.

Ken Iisaka - November 1, 2016

Michael Tilson Thomas’ program traces the connection between the Renaissance and the Romantic by way of Mozart.

Janos Gereben - November 1, 2016

Local musicians steeped in the Klezmer tradition keep this zesty Eastern European folk music thriving in the Bay Area.

Janos Gereben - October 31, 2016

MTT’s dynamic, alternative performance space will feature works by Lou Harrison, Mason Bates, and John Adams in the coming season.

Jeff Kaliss - October 31, 2016

Golden Gate Symphony offers the first major Western showcase of an oratorio exploring a huge cultural movement in 20th-century China.

Lou Fancher - October 31, 2016

The legendary dancer talks about Letter to a Man, a powerful interpretation of another legend’s descent into madness.

Mark MacNamara - October 28, 2016

Jane Hill builds success through relentless honesty, creative outreach, and faith in her team — and community.

Laura Stanfield Prichard - October 27, 2016

A whimsical concert opener memorializing Agnes Albert is an elaborate play on the letters in her name.