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The world premiere of this quasi-operatic choral work by composer Mark Winges and poet-soprano Lisa Delan makes its points theatrically.

Half a year ahead of schedule, the musicians have reached a workable agreement that includes adding another player to the ensemble.

The 29-year-old pianist hails from Hong Kong, and his victory continues a certain recent trend at the Cliburn.

The rising conductor talks to SFCV about how he landed the job following last year’s production of Romeo and Juliet.

The volunteer orchestra, founded to promote LGBTQ musicians, has spent this past year auditioning candidates for conductor.

As the conductor’s tenure with the orchestra nears its end, composer Gabriella Smith is back with a new nature-focused work.

Mozart’s early masterpiece has layers of meaning that resonate at the War Memorial, according to director Lindy Hume.

Ahead of his Los Angeles recital debut, Finley chats about his signature roles, particularly in the operas of John Adams.

The composer’s fourth opera, based on James Hilton’s beloved 1934 novella, is captured in a stellar audio production.

Curated by Unsuk Chin, the first night of music is all contemporary and never less than enthralling.