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Nuances of the performance were lost to the unforgiving acoustics of the Rodin Gallery at the Palace of the Legion of Honor, but the musicians’ camaraderie shone through.

The quartet is celebrating its long relationship with the composer by curating a festival with his most significant and rarely-performed works, plus several world premieres composed in his honor.

Percussionist and festival music director Steven Schick talks about the program, which will feature innovative, atmospheric music from the 20th and 21st centuries.

New arrangements refresh Wagner’s Wesendonck Lieder and Mahler’s Rückert-Lieder.

A new production in San Anselmo will have plenty of unusual ideas, dancing, and even some extra music.

The pianist, in concert with the S.F. Symphony this week, talks about his own Beethoven projects, courage and risk-taking in performance, sharing music as an educator, and more.

Google goes classical, the NBA Finals create a Twitter war between the Bay Area and Cleveland orchestras, and the S.F. Conservatory of Music's voice department gets new leadership.

In a far-ranging program that covered music from the 1400s to the present, the violinist accompanied the ensemble on five pieces as part of a new program called SFCA+1.

Mozart's brilliant opera provided needed comic relief at the War Memorial Opera House.

Beethoven’s Mass becomes a staged multi-media experience, complete with light show and wandering soloists.