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Latest From the SFCV Feed

Richard S. Ginell - April 1, 2024

The composer’s new piano concerto, written for Garrick Ohlsson, is all about bridging distances.

Victoria Looseleaf - April 1, 2024

As Flora, mezzo-soprano Sarah Saturnino, one of the company’s young artists, brings her background as an intimacy director to the production.

Emily Wilson - April 1, 2024

Mingwei is reconnecting with essential elements in Chaque souffle une danse, his new performance work on view this spring.

Tom Jacobs - April 1, 2024

The pioneering conductor chats with SFCV ahead of her long-overdue debut at the Metropolitan Opera this spring.

Victoria Looseleaf - April 1, 2024

How can technology impact artists in a positive way? Reiley shares some of her ideas in an upcoming SoundBox program.

Michael Zwiebach - March 26, 2024

The cross-cultural chorus, now touring America, shows how to break down barriers and foster empathy in traditionally divided communities.

Lev Mamuya - March 26, 2024

Aaron Diehl shines in Timo Andres’s new piano concerto, while the orchestra’s principals solo in music by Adams and Aaron Copland.

Jason Victor Serinus - March 26, 2024

Taken from 2023 concert performances in London led by conductor Simon Rattle, this recording has not a weak link.

Janos Gereben - March 26, 2024

Though the administration is making cost-cutting moves, the proposed renovation of Davies Symphony Hall is still on the table.

Aimée Ts'ao - March 26, 2024

From Europe to San Francisco, Lopez Ochoa is making new work everywhere all at once.