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In what seems to be perfect typecasting, Viennese-born George Cleve makes his Lamplighters conducting debut in the most Viennese of operettas, Johann Strauss' Die Fledermaus (The Bat).

Here’s a playlist of standards and unusual pieces from Mozart’s last year, 1791, during which the composer accomplished professionally the likes of which is difficult to believe, especially considering he was suffering a terminal illness.

The Marin Symphony’s “American Dream” program, which featured music and Noah Griffin reading King’s stirring words, for results that were excellent and powerful.

How better to celebrate Black History Month than at SFJAZZ; more than a great jazz venue, it features a series of outreach programs with education classes, events, and now a “family matinee.”

What better musical way to ring in the Year of the Horse with the entire family than the San Francisco Symphony's 14th Annual Chinese New Year concert.

On Jan. 23, Sarah Cahill and the Ives String Quartet will play Henry Cowell’s music in two concerts at San Quentin State Prison, where the Menlo Park-born composer was locked up from 1936-1940.

USC’s Thornton School of Music is betting that two hip, young composers can expand their students’ horizons beyond academia and foster more connections with musicians in the City of Angels.