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Latest From the SFCV Feed

Aimée Ts'ao - January 29, 2024

The choreographer’s company is gearing up for a pair of multimedia world premieres on this foundational theme.

Lev Mamuya - January 29, 2024

Will the for-profit series, which arrives at the Colburn School this week, draw a different kind of listener?

Victoria Looseleaf - January 29, 2024

Through The Healing Project, which lands in L.A. this week, the Berkeley-reared musician and artist has taken on the prison-industrial complex.

Rebecca Wishnia - January 29, 2024

After 50 years of Mahler performances, the orchestra’s music director laureate delivers a moving account of the Fifth Symphony.

Annelies Zijderveld - January 26, 2024

The Oscar-nominated documentary of Jon Batiste’s epic compositional journey also includes intimate moments with his wife as she battles cancer.

David Bratman - January 26, 2024

Working without their late first violinist, these three musicians are bringing in collaborators to great success.

Jim Farber - January 23, 2024

Spectacularly cast and flawlessly performed, the show is bound to leave any Wagnerite at Disney Hall begging for another Ring installment.

Aimée Ts'ao - January 23, 2024

Having absorbed many different techniques, Barton is less interested in stretching boundaries than obliterating them.

Lou Fancher - January 23, 2024

Ahead of her Cal Performances date, the celebrated jazz vocalist chats about her latest album, inspired by a woman cursed to be a serpent.

Janos Gereben - January 22, 2024

Veteran arts executive Daniel Levenstein is leaving on a high note, judging by the impressive programs he’s brought together.