An “introductory” first half, featuring works by Benjamin Britten and Mason Bates, nicely sets up a Brahms symphony on the second.
In the days before Halloween, the LA Phil and LA Opera each produced concerts showcasing classic Mexican films.
The little-known mid-20th-century Russian composer gets the spotlight in an unusual concert from Other Minds.
Allison Lovejoy has composed an oratorio for the Golden Gate Symphony Orchestra & Chorus based on the life of one of her ancestors.
The conservatory’s head of conducting studies draws a poised performance from these student musicians.
John Rutter’s Bach-inspired Magnificat anchors a concert that ranges widely through hymns and praise songs.
