San Francisco

As sunny and funny as ever, SF Opera’s revival of its popular 2013 production is musically middling.

Jovino Santos Neto returns to the Bay Area with the work of Hermeto Pascoal, the genre-bending legend who died last September.

Mahanthappa’s ensemble clearly enjoys the music, which they perform in high-voltage versions.

The music director presented Die Walküre across six days of performances last weekend. He bids farewell to the LA Phil on June 5-7.

The opera delineates the real-life friendship between librettist Howard Reich and Elie Wiesel, Nobel laureate and Holocaust survivor.

Based on John Patrick Shanley’s Pulitzer-winning play, the opera asks whether audiences can handle uncertainty.   

Reyes Dance’s String Quartet No. ATE explores the choreographer’s recent Type 2 diabetes diagnosis.

The baritone speaks with SF Classical Voice ahead of his 75th time singing Figaro in The Barber of Seville.

On his new album, the singer moves between defiance, lyricism, and ghoulish humor across works by nine living composers, including Gordon Getty.

During a listening party at Monk Space, there was obvious artistic synergy between the composer and The Industry — a cutting-edge opera company.