Some pedantic fuddy-duddies may decry what transpired in Davies Symphony Hall last weekend, but those who love music, and who especially love J.S. Bach, were happy to experience an outstanding performance of an edited version of his Christmas Oratorio, BWV 248.
Simon Rattle and the Berlin Philharmonic were happily ensconced in and around Davies Symphony Hall Thursday through Saturday, showering the city with four grand events in just three days.
Marino Formenti may be an amazing virtuoso pianist, an "eccentric titan of the keyboard," and "a Glenn Gould for the 21st century," but he doesn't particularly care to be called a pianist. He considers himself a musician, who mainly plays the piano.
Upon hearing news of Simon Rattle's contract as principal conductor being extended by the self-governing Berlin Philharmonic through 2018, I put together a quick — and obviously incomplete — survey of music directors' tenure.
Excuse yet another rather provincial outburst of pride, but young artists from hereabouts are making strides around the world — not that it's something new, but there is an unusual cluster of such reports:
Jose Maria Condemi
The Merola alumnus, who is likely to direct a San Francisco Bu
There are a few places in the world where Johan Botha, who is making his San Francisco Opera debut in Verdi's Otello on Nov. 8, is not the most famous man by that name.
