Janos Gereben

Janos Gereben appreciates news tips, corrections, and words of encouragement at janosg@gmail.com.

Articles By This Author

With autumn upon us, the Bay Area's classical music groups are tuning up for hundreds of intriguing events. San Francisco Classical Voice asked several of our critics and editors to comb through the performance announcements available to date and pick their favorite choices for September through December.

Janos Gereben - August 25, 2009

YouTube Your Way to Pianistic Fame

Oakland's Esfir Ross in the Cliburn amateur semifinals

Beginning Sept.

Janos Gereben - August 18, 2009

Symphony Programming: Putting It Together

In my imagination, Michael Tilson Thomas' To Do List includes giving great performances, building the orchestra and bringing in new aud

Janos Gereben - August 17, 2009
Sure, Nicola Luisotti — aka Mr. Excitement — is making his debut on Friday, Sept.
Janos Gereben - August 11, 2009

A Devilishly Great Faust

Preposterous but true: My two best memories of Gounod's Faust performances come from a gala occasion in Paris 34 years ago and a small regional company's premiere of it on Saturday. A world-class event and Walnut Creek's Festival Opera each hit the spot in its own way.

Janos Gereben - August 4, 2009

Zheng Cao Progress Report

Just a few weeks ago, there was an optimistic report here about mezzo Zheng Cao's recovery from multiple advanced cancers, and now there is
Janos Gereben - July 28, 2009

The Devil in Walnut Creek

Festival Opera's production of Gounod's Faust, opening Aug. 8, features a cast near and dear to Bay Area fans.
Janos Gereben - July 27, 2009

Ten years ago, when Michael Steinberg retired as the San Francisco Symphony's program annotator and music advisor, he had a farewell essay in the program, entitled "Why We Are Here." It is also part of the book For the Love of Music Steinberg cowrote with Larry Rothe, his long-time colleague at SFS.

Janos Gereben - July 27, 2009

The Festival del Sole concert Thursday in Napa’s Castello di Amorosa was an exception to the conventional structure of a concert. It consisted of two unrelated sections, each featuring a big star, and felt like two separate musical events. The two featured performers could not have been more different, not that there is anything wrong with that, but the concert was indeed unusual.

Janos Gereben - July 21, 2009

It's Proms Time!

The biggest and best summer festival of classical music is in session, and available — free — to everyone with a computer. (Or, in the U.K.