Janos Gereben

 [The sound of Max Bruch’s Kol Nidrei is heard, starting with the full sound of the cello, as Arnold Schoenberg and Theodor Adorno listen.]

Schoenberg: “Stop! Today is Yom Kippur, the Day of Atonement when Kol Nidre is played. But why always Max Bruch’s? At least up here, on Parnassus, let’s hear my version for a change. Without the cello sentimentality of the Bruch.

Going back about six decades now, there were Alan Watts in Marin and the American Academy of Asian Studies in San Francisco, the pioneering Esalen Institute in Big Sur, Lou Harrison’s gamelan works from San José and Santa Cruz, Berkeley’s Center for World Music, and countless others.