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Latest From the SFCV Feed

Annelies Zijderveld - April 16, 2023

The percussion group visits the West Coast with a new song cycle that closely involves the celebrated composer and vocalist.

Jason Victor Serinus - April 15, 2023

The soprano introduces us to several lesser-known female composers and a fine Symbolist poet with this recording.

Michael Zwiebach - April 11, 2023

The group is mixing it up again by playing programs for different tastes.

Lisa Hirsch - April 11, 2023

The composer’s dark, often mocking orchestral work shares space with Brahms’s First Piano Concerto and Sibelius’s Symphony No. 3.

Janos Gereben - April 11, 2023

Bradley Cooper’s new film will see Hollywood once again turning to classical music for drama and intrigue.

Lou Fancher - April 11, 2023

Photographer Richard Misrach talks about how his collaboration with King and LINES Ballet came about.

Emery Kerekes - April 11, 2023

At Carnegie Hall, the Egyptian soprano and Andalusian guitarist trace the exchange of Islamic and Judaic influences in Spanish songs.

Richard S. Ginell - April 11, 2023

It’s a modern-day Rhapsody in Blue, the perfect recording project for the superstar pianist and Abrams’s Louisville Orchestra.

Tom Jacobs - April 11, 2023

Whether it’s a piece for Joe Biden’s inauguration or a commission connected to King Charles’s coronation, Boyer knows how to strike the right tone.

Victoria Looseleaf - April 11, 2023

The company’s Digital Shorts, still available for viewing, brought together major-name creatives to invent 10-minute operatic films.