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Latest From the SFCV Feed

Michael Zwiebach - October 20, 2020

With the announcement of serious creative talents and fascinating works in development, West Edge’s Aperture becomes a major site for the development of American opera.

Peter Feher - October 20, 2020

We knew it was coming; it’s still hard to take.

Janos Gereben - October 20, 2020

Even if they manage to stay healthy, musicians are struggling for survival.

Lou Fancher - October 19, 2020

The violinist and composer made her name with powerhouse pop and hip-hop covers and playing with Beyoncé, but she has Beethoven on her mind, too.

Jeff Kaliss - October 19, 2020

The new-music godfather talks about his long career, the evolution of contemporary music, and why he’s not leaping on the livestream bandwagon.

Tamzin Elliott - October 19, 2020

Fure’s new album strikes fear in the listener but makes a profoundly human point.

Richard S. Ginell - October 19, 2020

In a time of bold political statements, the latest episodes of SOUND/STAGE fit the moment, as well as providing musical relief.

Victoria Looseleaf - October 19, 2020

LA Chamber Orchestra’s artistic advisor is making connections with his adventurous new-music ensemble.

Peter Feher - October 19, 2020

The engaging and experienced pianist leads a three-part program for Pittance Chamber Music.

Steven Winn - October 19, 2020

Copland’s original chamber setting for Appalachian Spring is revelatory.