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After years of collaboration, Hope makes his first appearance as NCCO’s music director proper.

Some repertory staples get a makeover and fresh casting, while The (R)evolution of Steve Jobs gets its local premiere.

Third Coast Percussion proves a quirky, perfectly apt foil for the supple dancers.

Mark Adamo’s score and libretto capture the simplicity and charm of Louisa May Alcott’s classic novel.

A tour through the conductor’s calendar reveals a dizzying roster of impressive commitments.

Salonen’s approach was particularly apt on a new work from Anna Thorvaldsdottir.

The massive symphony, with soloist Jean-Yves Thibaudet, was set off by Kaija Saariaho’s precise Trans.

The peripatetic cellist chats with SFCV about taking artistic risks and his own development.

Soprano Julia Bullock’s revelatory one-woman show blazes with insight and emotion, and the soprano’s own power.

Vicki Ray and Carole Kim manipulate time in Los Angeles.