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Latest From the SFCV Feed

Harlow Robinson - September 9, 2025

Ellen Reid’s meditation on motherhood Body Cosmic and Mozart’s Requiem share a program that contemplates human existence.

Janos Gereben - September 9, 2025

From YouTube to recordings to TV interviews, there are many collections of the conductor/composer’s work.

Andrew Gilbert - September 9, 2025

Diaspora Arts Connection’s annual concert features performances in defiance of restrictions on women singing in the Middle East.

Harlow Robinson - September 9, 2025

The new record from the Bay Area-based ensemble features three European works composed during or just after World War II.

Rebecca Wishnia - September 9, 2025

The Banff International String Quartet Competition gave a prize package worth $500,000 CAD to the Cincinnati-based Poiesis Quartet.

Emily Wilson - September 9, 2025

Dead Man Walking will open at San Francisco Opera on Sept. 14 and run through Sept. 28. Composer Jake Heggie discusses the opera’s origins and staying power.

Lisa Hirsch - September 8, 2025

The orchestra and the SF Opera and SF Ballet Orchestras bring in fresh talent to fill out their ranks.

Tim Greiving - September 8, 2025

In an excerpt from his biography John Williams: A Composer’s Life, Tim Greiving recounts how the composer changed minds about movie music.

Steven Winn - September 8, 2025

SF Opera remounts a production of Verdi’s Rigoletto with standout Adela Zaharia in the role of Gilda.

Janos Gereben - September 5, 2025

Negotiations on a new contract have reached a critical stage.