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Latest From the SFCV Feed

Jason Victor Serinus - December 13, 2013

Savor the artistic mastery of the composer/librettist team of Jake Heggie and Gene Scheer at their imaginative best in their new DVD here/after, which presents one beautiful, provocative, moving, and occasionally hilarious exploration after the other.

Yoko Rosenbaum - December 12, 2013

Recently, the big classical music institutions have acknowledged the problem of their dwindling audiences. Have they learned enough to survive?

Michael Zwiebach - December 12, 2013
Hector Berlioz
Hector Berlioz

December 11 was Hector Berlioz’ 190th birth annivers

Mark MacNamara - December 12, 2013

We expose a local secret: Ballet Folklorico Costa de Oro, a fine dance company sporting a dance school in San Lorenzo, as well as many South Bay performances.

Michael Zwiebach - December 11, 2013

Here, SFCV celebrates the life of Nelson Mandela through the many songs that were written for him and about him. There are dozens from which to choose, and many of them became rallying signals in the fight against the apartheid regime of South Africa.

Stephanie Jones - December 10, 2013

With a CD and an upcoming benefit concert, local musicians are focusing on the local scourge of homelessness.

Niels Swinkels - December 10, 2013

PBO celebrates the life and work of Nelson Mandela by switching its program to feature a ceremonial work typically performed to honor state luminaries.

Janos Gereben - December 10, 2013
Leonie Rysanek to be heard in Strauss opera from SFO archives
Leonie Rysanek to be heard in Strauss opera from SFO archives

Starting last weekend, San Fr

Janos Gereben - December 10, 2013

Musical America's December issue of Movers & Shakers: 30 Key Influencers in the Performing Arts, includesSan Francisco Opera General Director David Gockley, San Francisco Symphony Executive Director Brent Assink, Cal Performances Artistic Director Matías Tarnopolsky, former Stanford Live Artis

Janos Gereben - December 10, 2013
Marina and Victor Ledin: well-GRAMMY'd
Marina and Victor Ledin: well-GRAMMY'd

Classical categories are always way down on the