The premiere of Marco Tutino's new opera delivered neo-Puccini without the punch or musical power.
Dog Days takes Los Angeles Opera into the heart of post-apocalyptic darkness.
Berlioz’s grandest of grand operas makes it to the War Memorial Opera House in a production that scores points on every level.
The ambitious production overcomes what appeared to be opening night jitters with its fantastic cast.
The symphony closes out the season with Leonard Bernstein’s comic operetta.
A new chamber opera by Tarik O'Regan shows the continuing power of Conrad's story, despite some flaws.
It was a delight to see conductor and musicians alike perform Monteverdi’s 1607 “favola in musica.”
Patrick Morganelli’s operatic adaptation of the B-movie turns Italio-Grecian kitsch into modern American opera.
For the last production of its season, OSJ has hit the mark.
The period-instrument ensemble joins forces with fellows from the San Francisco Opera Center’s Adler Fellowship program to perform the Rossini opera.
