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Latest From the SFCV Feed

Victoria Looseleaf - January 7, 2026

The Los Angeles Philharmonic’s resident keyboardist discusses her attraction to new works.

Janos Gereben - January 6, 2026

The tools are powerful and already in widespread use. But what do the human users and consumers think about it?

Jeff Kaliss - January 6, 2026

The documentary, available on YouTube, features 24 young musicians who flourish through collaboration.

Paul Bodine - January 6, 2026

Set to premiere in San Diego, Pancho Rabbit and the Coyote mixes its composer’s political sentiments with a child-like tone.

Thomas Varghese - January 6, 2026

AI tools are important in music-making now, but humans still want to connect with other humans through the visceral power of music.

Jim Farber - January 6, 2026

The composer Sarah Kirkland Snider dares to take on one of the medieval world’s biggest thinkers for Beth Morrison Projects’ Prototype Festival.

Jason Victor Serinus - January 6, 2026

Across two volumes, the new recording BMP: Songbook showcases the producer’s knack for turning modern influences into timeless music.

Richard S. Ginell - December 23, 2025

The ensemble was in top form for the annual performance of Handel’s masterpiece, conducted by Grant Gershon.

Harlow Robinson - December 23, 2025

Conductor Thomas Wilkins led the orchestra in a dazzling performance spotlighting Tchaikovsky and Duke Ellington.

Charles Burns - December 23, 2025

Sphinx Virtuosi’s new release delivers crisp grooves, luminous textures, and strong narrative pacing.