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Latest From the SFCV Feed

Lisa Hirsch - February 24, 2026

Sandbox Percussion and American Modern Opera Company brought Dutch minimalist Simeon ten Holt’s masterpiece to Berkeley.

Lisa Hirsch - February 24, 2026

Violinist Jennifer Koh was all reserved elegance but didn’t convey the music’s emotional content in her recital.

Victoria Looseleaf - February 24, 2026

The singer speaks with SF Classical Voice about his mindset ahead of performing in LAO’s Akhnaten.

Michael Zwiebach - February 23, 2026

The small company proved once again that it can cast a difficult opera well.

Andrew Gilbert - February 18, 2026

A farewell tour brings the classical guitar duo and their exciting program to locations across California at the end of the month.

Hayley Dunn - February 18, 2026

The rising star speaks to a new generation, interpreting music through the lens of her own experience.

Steven Winn - February 18, 2026

The company’s programming is tone-deaf to the moment, while the dancers shine.

Lisa Hirsch - February 18, 2026

Shawna Lucey’s staging sharpens the drama in the classic double bill.

Jim Farber - February 18, 2026

Sundays with Coleman presented the quartet in a concert of the “three Bs” on the Caltech campus.

Richard S. Ginell - February 18, 2026

Tony-nominated playwright Jeremy O. Harris fashioned a new script for Beethoven’s Egmont, which the actress delivered powerfully.