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Latest From the SFCV Feed

Jason Victor Serinus - May 5, 2025

Deutsche Grammophon’s live recording with Eleonora Buratto, Jonathan Tetelman, and Ludovic Tézier is well worth a listen.

Lou Fancher - May 5, 2025

At the SF International Arts Festival, the Chinese chamber group mixes it up with a world premiere, music from the Xinjiang region, and more.

Richard S. Ginell - May 5, 2025

The world premiere of Chaya Czernowin’s timely lament highlights the orchestra’s latest Green Umbrella concert, curated by Daníel Bjarnason.

Tom Jacobs - May 5, 2025

The Grammy Award winner chats about music as storytelling, how she keeps up her chops on violin, and working with Third Coast Percussion.

Melissa Hudson Bell - May 5, 2025

Premiering at Z Space over the weekend, this highly collaborative new work explores cycles of power and repose, movement and stillness.

Janos Gereben - May 5, 2025

The Trump administration’s sudden withdrawal of funding — affecting the SF International Arts Festival, among others — presages bigger problems.

Lisa Hirsch - May 4, 2025

Large, colorful works by Kaija Saariaho, Igor Stravinsky, and Ottorino Respighi bring out the best from the ensemble and its solo players.

Richard S. Ginell - April 29, 2025

Bancroft impresses in a Nordic-themed concert that also has pianist Yeol Eum Son playing Mozart.

Janos Gereben - April 29, 2025

Students in SFCM’s Technology and Applied Composition department were intensively involved in postproduction on four premieres.

Charles Burns - April 29, 2025

The chamber ensemble’s BroadStage performance offers a guided journey from the Three Romances to Richard Wagner’s Siegfried Idyll.