Reviews

Richard S. Ginell - February 3, 2026

The pianist’s Sacredness takes inspiration from Ellington but charts its own eclectic path.

Paul Bodine - February 3, 2026

The top-flight Mexican orchestra performed at Segerstrom Hall on Jan. 29.

George Papajohn - February 3, 2026

Percussionist Andy Meyerson curated the festival around the question, "what is the future of our art form?"

Richard S. Ginell - February 3, 2026

At the Jan. 29 concert, she demonstrated a strong connection with the orchestra and a precise conducting style.

Lisa Hirsch - February 3, 2026

A sudden injury led the ensemble to adjust its repertoire, spotlighting a rare work by Hungarian composer Pál Hermann alongside Strauss.

Collin Ziegler - February 3, 2026

During his recital at Stanford Live, the pianist demonstrated the depth that short compositions can carry.

Rebecca Wishnia - February 2, 2026

Guest conductor Jaap van Zweden led the orchestra in convincing interpretations of both composers.

Collin Ziegler - February 2, 2026

Philharmonia Baroque’s ongoing Jews & Music series features a wide array of styles.

Andrew Gilbert - February 2, 2026

The four-person ensemble gave an eclectic performance in Berkeley on Jan. 21.

Jason Victor Serinus - January 27, 2026

The Paris and London-based ensembles do justice to works by Mendelssohn and Enescu.