Opera

SFCV’s perceptive writers report on topics relevant to opera.

Jim Farber - March 17, 2026

A strong cast makes a weak production worthwhile.

Lisa Hirsch - March 17, 2026

In collaboration with Cal Performances, Philip Glass’s score and live singers brought Jean Cocteau’s 1946 film to life.

Michael Zwiebach - March 16, 2026

At Bing Concert Hall, the world-class soprano delivered a memorable program of Italian and Spanish works plus six encores. 

Katelyn Simone - March 10, 2026

Renewed interest in the composer — known for opera, Broadway, and film — inspired the production, running March 13-14 in New York City.

Collin Ziegler - March 10, 2026

The oratorio has its ups and downs, but the English Concert presented a strong rendition.

Janos Gereben - March 10, 2026

The recitals have a rich history. Here are details about the upcoming series.

George Papajohn - March 3, 2026

An orchestral version of the composer’s From the Book of Nightmares was perfectly suited to the intimate Barbro Osher Recital Hall.

Jim Farber - March 3, 2026

With John Holiday in the title role and Dalia Stasevska commanding in the pit, this revival is a tour de force.

Michael Zwiebach - March 3, 2026

Sci-fi golems, a dissident Iranian poet, internet radicals, and a morally compromised reporter are all in the mix in the festival of new operas.

Michael Zwiebach - February 27, 2026

The two companies say they are saving money and retooling to strengthen themselves in a tough environment.