Anton Reicha’s Te Deum was definitely worth hearing, as Chora Nova maintained its tradition of singing unusual repertory.
The best piece of the evening, Alternative Energy, brought audiences from Henry Ford’s farm to a post-energy Earth.
Based on composer Christopher Stark’s travels in the American West during 2020, Fire Ecologies is surprisingly gentle in its message.
Pianist Edward Simon, bassist Scott Colley, and drummer Brian Blade contributed equally to the evening, performing in tight calibration.
What you see is not what you get with Benjamin Britten’s opera, as Hallmark descends into horror.
The eighth revival of the company’s 1993 production is well-cast, and brilliantly conducted by Lina González-Granados.
A world premiere concerto for cellist Kanneh-Mason sets the table for Edward Elgar’s Enigma Variations.
San Francisco Opera Center’s Adler Fellows show they’re ready to be heard around the world.
Violinist Alexi Kenney led a Baroque concert including Bach’s Brandenburg Concerto 5 and Vivaldi’s The Four Seasons.
The latest collaboration between David Lang and the Los Angeles Master Chorale, before and after nature, features abstract interpretations of the state of our planet.
