Reviews

Michael Zwiebach - November 18, 2025

In a recital of unusual and beautiful music, the pianist balanced fire and fantasy with exactitude.

Harlow Robinson - November 18, 2025

Bringing 11 pieces together, Salastina harmonized different concepts of beauty.

Charles Burns - November 18, 2025

The Green Umbrella concert showcased inspired new works by Caribbean and Latin American artists.

George Papajohn - November 18, 2025

SFCMP paired a John Adams audience favorite with Samuel Adams’s first major work for voice.

Collin Ziegler - November 18, 2025

16 composers premiered works that paint visions of the Earth. While some pieces failed to evolve, Cellist Gautier Capuçon’s virtuosity shone through.

Rebecca Wishnia - November 18, 2025

The ensemble’s appearance at SF Performances was a primer on its technical prowess and depth.

Nicholas Jones - November 18, 2025

The adventurous orchestra played contemporary works and Richard Strauss’s Four Last Songs, with soprano Laquita Mitchell.

Lisa Hirsch - November 17, 2025

The new work by Huang Ruo and David Henry Hwang is wry, funny, and irreverent, with a powerful message underneath the dazzling spectacle.

Jim Farber - November 17, 2025

Vancouver-based Ballet BC brought its Bolero X to L.A., a production that involved 31 dancers from USC’s Kaufman School of Dance.

Harlow Robinson - November 11, 2025

Music Director Brett Mitchell and the Pasadena Symphony honored late composer Jim Self and also offered music by Ravel and Berlioz.