Philharmonia Baroque’s ongoing Jews & Music series features a wide array of styles.
The four-person ensemble gave an eclectic performance in Berkeley on Jan. 21.
The Paris and London-based ensembles do justice to works by Mendelssohn and Enescu.
The orchestra traversed Huang Ruo’s folksong settings and Clarice Assad’s guitar concerto based in Brazilian myth.
Ólafsson turned in a perfect performance and composer John Adams led the orchestra in classic American scores.
Yuri Possokhov’s world premiere production is a beautifully wrought tale of passion, regret, and missed connection.
Capping off a remarkable week for L.A. orchestral music, the maestro drew sophistication and nuance from the exuberant ensemble.
The rising violinist was the perfect steward for an Enlightenment-themed concert, part of a weeklong SFCM residency.
Violinist Geneva Lewis and conductor François López-Ferrer brought interpretive clarity to an all-Romantic program.
The program featured Seong-Jin Cho on Shostakovich’s Piano Concerto No. 1.
