Reviews

Lisa Hirsch - February 24, 2026

Violinist Jennifer Koh was all reserved elegance but didn’t convey the music’s emotional content in her recital.

Michael Zwiebach - February 23, 2026

The small company proved once again that it can cast a difficult opera well.

Steven Winn - February 18, 2026

The company’s programming is tone-deaf to the moment, while the dancers shine.

Lisa Hirsch - February 18, 2026

Shawna Lucey’s staging sharpens the drama in the classic double bill.

Jim Farber - February 18, 2026

Sundays with Coleman presented the quartet in a concert of the “three Bs” on the Caltech campus.

Richard S. Ginell - February 18, 2026

Tony-nominated playwright Jeremy O. Harris fashioned a new script for Beethoven’s Egmont, which the actress delivered powerfully.

Janos Gereben - February 18, 2026

The orchestra will perform works by its own composition competition finalists on Feb. 26 at the SF Conservatory of Music, free of charge.

Michael Zwiebach - February 18, 2026

The group offered a light but musically satisfying concert, backed by impressive musicianship and a little nerding out.

Jenny Xiong - February 18, 2026

Cahill organized her recital around Jawaharlal Nehru’s quote, “The light has gone out, I said, and yet I was wrong. For the light that shone in this country was no ordinary light.”

Richard S. Ginell - February 10, 2026

Five world premieres of the Feb. 3 concert ranged from small etudes to an inventive piano concerto.