Reviews

Jim Farber - October 8, 2024

The chamber orchestra’s relaxed BroadStage concert offers an arresting contrast between classical and modern music.

Richard S. Ginell - October 8, 2024

The orchestra, led by Rafael Payare, christens the hall with a performance of Gustav Mahler’s epic Symphony No. 2.

Lisa Hirsch - October 7, 2024

The tenor is warm and inviting in this gala recital, sensitively backed by the composer at the piano.

Richard S. Ginell - October 7, 2024

The world premiere of Ortiz’s new concerto for cellist Alisa Weilerstein pairs with Mendelssohn’s music to A Midsummer Night’s Dream.

Steven Winn - October 7, 2024

This season, the orchestra is bringing smaller-scale performances to a venue it’s never played before.

Steven Winn - October 6, 2024

Soloist Sayaka Shoji partners with conductor and orchestra for a scorching performance of the Russian composer’s Violin Concerto No. 1.

Nicholas Jones - October 1, 2024

 At Cal Performances, Grevious captivates with her musical advocacy for Beethoven’s “Kreutzer” — or rather, “Bridgetower” — Sonata.

Jim Farber - September 30, 2024

A concert revival of the 1995 musical demonstrates the work’s assets and flaws in equal measure.

Lisa Hirsch - September 30, 2024

American Modern Opera Company’s production transforms Olivier Messiaen’s song cycle into an intimate drama.

Rebecca Wishnia - September 30, 2024

The world premiere of Nico Muhly’s Piano Concerto, with soloist Alexandre Tharaud, fits perfectly with the other Baroque-inspired works on the bill.