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Khachaturian's sabres, Tchaikovsky's Rococo charm, and Ravel's blazing Mussorgsky fill the Bowl on a night of firsts.

Clarice Assad and Vivian Fung bring pointed messages about AI, immigration, and identity to Cabrillo's closing weekend.

Keturah Stickann’s staging gives Handel's Rinaldo an animated Spiderman vibe that maximizes the work’s virtues.

Led with quiet passion by Marin Alsop, the LA Phil cast a spell with works by the two greats.

Mark Streshinsky’s cinematic rendering of Benjamin Britten’s opera is a masterclass in psychological drama. The production runs at West Edge Opera through Aug. 15.

Armed with new insights, a director, conductor, and soprano return to a work they performed together 13 years ago.

A Berkeley program ties Mozart's Parisian era to Enlightenment ideals, always sounds fresh, and never overstays its welcome.

Conor Hanick approaches every score, old or new, as a mystery waiting to be solved.

Veering between comedy and heartbreak, the opera made a rare Bay Area appearance in Pocket’s well-done production.

Nearly four decades in, the Young People's Chorus draws top composers — and the kids deliver.