Julia Adolphe’s Chrysalis, her third LA Phil commission focusing on metamorphosis, shares the bill with music by Maurice Ravel.
The Grammy Award winner chats about music as storytelling, how she keeps up her chops on violin, and working with Third Coast Percussion.
Mack is drawing on wells of passion, charisma, and technique to sing roles in Ainadamar at LA Opera and Idomeneo at SF Opera.
Son shares how everything from rehearsals to romance to writing a newspaper column has informed her music-making.
The annual convocation of composers in Santa Cruz has announced its 2025 season, which, like previous summers, is stacked with premieres.
Playing for a packed house, Vidovic shows why guitar lovers idolize her.
Alsop’s first subscription appearance with the orchestra is highlighted by Gabriela Montero’s brilliant First Piano Concerto, the composer soloing.
Louise Farrenc’s enchanting Nonet, along with recent works by Nokuthula Ngwenyama and Sarah Gibson, highlight an imaginative program.
The violinist, joined by longtime collaborator Lambert Orkis, shines especially in the rarely played Sonata by Ottorino Respighi.
The band members say they’ve “witnessed a true renaissance of Ukrainian music” following the 2022 Russian invasion of their country.
