Based on John Patrick Shanley’s Pulitzer-winning play, the opera asks whether audiences can handle uncertainty.
Héctor Armienta’s romantic new opera is unabashed melodrama and pure fun.
The baritone speaks with SF Classical Voice ahead of his 75th time singing Figaro in The Barber of Seville.
On his new album, the singer moves between defiance, lyricism, and ghoulish humor across works by nine living composers, including Gordon Getty.
During a listening party at Monk Space, there was obvious artistic synergy between the composer and The Industry — a cutting-edge opera company.
