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Latest From the SFCV Feed

Thomas Varghese - January 6, 2026

AI tools are important in music-making now, but humans still want to connect with other humans through the visceral power of music.

Jim Farber - January 6, 2026

The composer Sarah Kirkland Snider dares to take on one of the medieval world’s biggest thinkers for Beth Morrison Projects’ Prototype Festival.

Jason Victor Serinus - January 6, 2026

Across two volumes, the new recording BMP: Songbook showcases the producer’s knack for turning modern influences into timeless music.

Richard S. Ginell - December 23, 2025

The ensemble was in top form for the annual performance of Handel’s masterpiece, conducted by Grant Gershon.

Harlow Robinson - December 23, 2025

Conductor Thomas Wilkins led the orchestra in a dazzling performance spotlighting Tchaikovsky and Duke Ellington.

Charles Burns - December 23, 2025

Sphinx Virtuosi’s new release delivers crisp grooves, luminous textures, and strong narrative pacing.

Lisa Hirsch - December 23, 2025

The ensemble commissioned two world premieres for its 2025–2026 season opener.

Four SFCV writers tell us about their favorite shows of 2025!

Four SFCV writers tell us about their favorite classical and jazz shows of 2025!

Richard S. Ginell - December 16, 2025

Spanish conductor Gustavo Gimeno proved he is a good fit for the orchestra.