The composer and philanthropist sees three of his works performed by the orchestra this week.
The rising conductor talks to SFCV about how he landed the job following last year’s production of Romeo and Juliet.
Ahead of his Los Angeles recital debut, Finley chats about his signature roles, particularly in the operas of John Adams.
Whether she’s talking this year’s Ojai Music Festival or her signature commissioning project, Density 2036, Chase is forward-focused.
Kelsey, who’s singing the title role in Rigoletto at LA Opera, is in demand thanks to his individual voice.
As he prepares to leave his music directorship with the orchestra, Young looks back on a time of transition and innovation.
It’s a happy marriage for the conductor in his first music directorship and the orchestra looking to preserve and extend its legacy.
The Grammy Award winner chats about music as storytelling, how she keeps up her chops on violin, and working with Third Coast Percussion.
Mack is drawing on wells of passion, charisma, and technique to sing roles in Ainadamar at LA Opera and Idomeneo at SF Opera.
Son shares how everything from rehearsals to romance to writing a newspaper column has informed her music-making.
