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Kicking off The Soraya’s LA Seen festival, Blanchard plays excerpts from Champion and Fire Shut Up in My Bones.

Louise Farrenc’s enchanting Nonet, along with recent works by Nokuthula Ngwenyama and Sarah Gibson, highlight an imaginative program.

The violinist, joined by longtime collaborator Lambert Orkis, shines especially in the rarely played Sonata by Ottorino Respighi.

The band members say they’ve “witnessed a true renaissance of Ukrainian music” following the 2022 Russian invasion of their country.

The acclaimed choreographer’s new work, Areas of Relief, finds inspiration in the singular music of jazz guitarist Mary Halvorson.

This spring and summer, look for shows both old and new from American Conservatory Theater, SF Playhouse, and TheatreWorks.

In four very different works, the company unfolds the choreographic intricacies of the “Dutch Grandmaster.”

Archival recordings of the composer at the piano, plus an orchestral performance conducted by John Mauceri, give insight into a neglected work.

The presenter’s 2025–2026 lineup promises great musicians, from soloists to string quartets, at the top of their game.

Via accessible, relatable performances, the San Francisco chamber orchestra is breaking down barriers and gathering a new audience.