As the conductor’s tenure with the orchestra nears its end, composer Gabriella Smith is back with a new nature-focused work.
Mozart’s early masterpiece has layers of meaning that resonate at the War Memorial, according to director Lindy Hume.
Ahead of his Los Angeles recital debut, Finley chats about his signature roles, particularly in the operas of John Adams.
The composer’s fourth opera, based on James Hilton’s beloved 1934 novella, is captured in a stellar audio production.
Curated by Unsuk Chin, the first night of music is all contemporary and never less than enthralling.
